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RRP: GBP 9.95
ISBN: 978 1 847773 80 7
Categories: 21st Century, British, Canadian
Imprint: Carcanet Poetry
Published: October 2012
64 pages (print version)
Publisher: Carcanet Press
Also available in: eBook (EPUB), Paperback, eBook (Kindle)
Some men have grief in place of dreams.
How cold and sad an end those men will come to:
white caps over the blue, no linden trees
or red acorns under which to find shade,
and not one god to pray for mercy to...
from 'Three Actaeons'
Paralogues, which takes its title from the Greek word for ‘ballads’, is the British début of an original Canadian poet and editor. Evan Jones explores Greek mythology, Roman and Byzantine history, art and travel, from contemporary perspectives. The myth of Actaeon is re-imagined in three ways, and Paralogues concludes with a sequence retelling the Byzantine folk ballad ‘Constantine and Arete’.
Translation is central to the collection, from the modern Greek of Miltos Sachtouris to the Austrian German of Raoul Schrott. Readers encounter people and places real and imagined: the lonely figure of the poet Cavafy in Victorian Liverpool, God in post-war Paris, the landscapes of Europe and North America at once familiar and unfamiliar.
Self-portrait with Argus the Hundred-Eyed
Little Notes on Painting
Portrait (Artist’s Model, Sleeping Nude)
Mr. Eugenides, the Smyrna Merchant
Letter to Sofia
Cavafy in Liverpool
The Intercity Express Passes Günzburg
Sheep or Llama
Burgau to Ulm, Bundesland Bavaria
Bundesland Bavaria, between Deffingen and Denzingen
God in Paris, 1945
The Devoted Widow
Justinian’s Advisors Recall Him Prophesying
How I Became one of my Poems
I Went Down to the Sea
Prayer to Saint Agatha
For One Whose Name God Knows
Lines Attributed to Michael Psellus Concerning the Deaths of Twelve Apostles
Constantine and Arete: an autobiography
Evan Jones is an intelligent, allusive poet who has elegantly synthesized his roots in Greek culture. These quietly serious poems throw up glimpses of dream and myth, and do so in a context of real thoughtfulness, free of rhetoric but rich in formal control.
Fiona Sampson Praise for Evan Jones 'These are quiet poems that manage, with remarkable and deceptive simplicity, to get under the skin. I am delighted that lockdown made me acquainted with them.'
'The trajectory of Jones' style deepens and intensifies as the book goes on; its music beautifully controlled to gather and sharpen. But, although his subjects are all aristocrats, there isn't a grandiloquent, unnecessary phrase in the whole collection. Plutarch and Gibbon may sit behind Evan Jones but Later Emperors is a lovely, unique working, whose contemporary relevance is never overt but subtly and sensitively implicit.'
Ian Pople, The North
'Jones's spare, evocative, and imagistic verse offers, through half-glimpsed narratives of ambition and loss, a rumination on the transience of things in this world [...] Later Emperors is a lyrical book, somber yet lovely. Rare among works of poetry today, it offers not only beauty but also a wisdom rooted in time and timelessness.'
Benjamin Myers, World Literature Today
'Later Emperors shows it's possible to write with the "sound of sense" while creating an allegory for our time. Jones uses the Roman Empire as a blueprint for learning from history, But his poems are not judgmental. They let readers see venality and decline, drawing from a range of personas steeped in the capricious nature of twin political valences' power and appetite.'
Nyla Matuk, The Vehicule Press Blog
'The poems in Later Emperors surprise and delight like those incisive, wry and honest inscriptions that come down to us from antiquity seemingly having survived everything, not least history's ravages. At the same time, there's a deeply distinctive literary wit at work in this book as Jones's lines limn (and update) the lives of the fleetingly powerful with the acuity and concision of Martial, the wit and heart of Horace. How those later emperors resemble the tyrants of our own time! What a skilled guide to them we have in Evan Jones!'
[T]he most daring reassessment of our country's canon in years... In a better world, which is to say an alternate reality, this compact and highly readable anthology would be the book your CanLit course makes you buy.
Jason Guriel, Maisonneuve Riots broke out in downtown Montreal earlier in the month after the launch of a new anthology of contemporary Canadian verse at the Bloated Behemoth Book Store. That book, it was later discovered by a man who had subjected it to forensic examination, contained shockingly little verse by poets born in Canada. Several hailed from south of the border, and a third is said to have been resident in London (England), earning a meager living as an antiquarian book dealer and 'practising orientalist', for the past several decades. Margaret Atwood was not even represented in the collection...
Michael Glover, The Bow-Wow Shop The reader...will experience sweet discoveries ranging from the territory of early twentieth century poets W.W.E. Ross and Alfred Bailey to later poets John Thompson and David Wevill, from French-Canadian Anne Hébert to the likes of Robyn Sarah, Don Coles, and Mary Dalton.
Ingrid Ruthig, Northern Poetry Review Swift and Jones... have put together a wonderful anthology.
Michael Lista, National Post This is a lovely book; full poems that really stand up, and to which you will keep returning.
Ian Pople, The Manchester Review I could make a list of all my favourite Canadian poets who are excluded from this volume because of the editors' high modernist interests. But they have defined the story they want to tell, and they have every right to do so. There is no rule saying that editors have to be democratic or representative in their choices. And, given those choices, I like what they have done. I don't even have to be British to appreciate it!
Robert Lecker, Canadian Literature I can think of no equivalent for what Swift and Jones have attempted: to rebuild a national canon from scratch using the most obscure figures. Is it subversive? Well, factor in that Carcanet is one of the U.K.'s leading poetry presses, that the last foreign-published Canadian poetry anthology appeared half a century ago, and that many British readers will take their first cues about Canadian poetry from this book - then you get a sense of the exhilarating sneak attack that has been perpetrated on our image abroad.
Carmine Starnino, Quill & Quire
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