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RRP: GBP 9.99
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Price: GBP 8.99
This title is available for academic inspection (paperback only).
ISBN: 978 1 784107 95 6
Categories: 21st Century, Irish, Women
Imprint: Carcanet Poetry
Published: September 2019
216 x 135 x 8 mm
Publisher: Carcanet Press
Also available in: eBook (Kindle), eBook (EPUB)
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What is time? Our understanding of it changes, between when the angels rejoiced at the incarnation to when Einstein and then Feynman reconceived it. In the strange, unregulated and disorienting world of the web we experience it in new ways, its predictabilities wrested from us. In Mary O'Malley's Demeter and Persephone sequence, time is experienced through generations, but the new gods play differently and spin the clock hands in their own mischievous ways. New generations find the time-patterns and expectations of their predecessors arcane and incomprehensible, and vice versa. Through mythology and ecology, this book sets out to restore connections. The book opens with oranges orbiting a winter kitchen. Time in its dozen guises moves through the poems, as does fate.
Mary O'Malley was appointed 2019 Writer Fellow at Trinity College Dublin.
Awards won by Mary O'Malley Joint winner, 2018 Michael Hartnett Poetry Award
(Playing the Octopus)
'Gaudent Angeli is a significant addition to the opus of a poet serious about her art... O'Malley excels when she combines the high with the low, such as in 'Little Dazzler' which manages to include Odysseus, a sorceress, condoms, smartphones, and a "supermodel in a green tube dress".'
Kevin Higgins, Galway Advertiser
Praise for Mary O'Malley 'very fine and hugely varied collection of poetry'
Colette Sheridan, Irish Examiner
'O'Malley is a true artist in sketching the beautiful, small details without which the essence of place, and the identity dependent on it, can be all too easily erased.'
'This new collection by one of Ireland's most respected and radical poets is as exhilarating a read as the title promises. Sampling through levels of irony from the neolithic to the neon lights of the lonely cities, from east to west, and indeed the hackneyed wesht (with a characteristically wicked eye), O'Malley offers us lyrics of the salvific quotidian woven together with the surreal elements of surviving our island paradoxes. Insouciant as the pirate queen Grace O'Malley who downfaced Elizabeth the First, Mary O'Malley steps into a zone of power and mastery with these new poems.'
'Mary O'Malley's seascapes [...] are suffused with such beauty and sonorous mystery and rhythmic care that they lift us above ourselves and the time we inhabit.'
Colm Tóibín, Irish Times, 8th December 2012
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