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Grimspound and Inhabiting Art
RRP: GBP 16.99
You Save: GBP 1.70
Price: GBP 15.29
This title is available for academic inspection (paperback only).
ISBN: 978 1 784105 90 7
Categories: 21st Century, Art, British
Imprint: Carcanet Poetry
Published: November 2018
216 x 135 x 19 mm
Publisher: Carcanet Press
Also available in: eBook (Kindle), eBook (EPUB), eBook (PDF)
Digital access available through Exact Editions
Rod Mengham’s new offering comprises two complementary halves: a poetic meditation on a place (the Bronze Age site of Grimspound on Dartmoor); and a series of short essays on different cultural habitats.
Grimspound is a four-part work combining prose and verse, composed on site over the course of ten years. It combines a ‘wild analysis’ of Hound of the Baskervilles (whose climactic scene takes place at Grimspound), a portrait of the Victorian excavator Sabine Baring-Gould, and a series of poems that draw on the Russian linguist Aharon Dolgopolsky’s experimental Nostratic Dictionary.
Inhabiting Art gathers essays on cultural history in relation to landscape and cityscape, viewed either episodically or in the form of a palimpsest, where the present state of the habitat both reveals and conceals its own history and prehistory.
'We make a world and in turn it makes us. Mengham's understanding of history as a living, evolving, ever present material template onto which experience can be inscribed and evaluated makes this collection of essays and his evocation of Grimspound so special.'
'Mengham is an extraordinary flâneur. The astonishing detail he collates as he wanders confers Art and artfulness in the ordinary.... A fluid and convincing conduit to recognition as much as to understanding, his sentences are a joy to relish'
Steve Whitaker, The Yorkshire Times
Praise for Rod Mengham 'What's moving about Chance of a Storm is the way the title probes into each poem and each poem illuminates the title, across a very wide landscape of despair and hope. What chance is there of a storm when we see only what we see? These poems exist to create that chance, and the hope of cracking complacency open. They have an angry but generous ear for past echoes, and the sound of them being sealed airtight in the moments we're living.'
Timothy Mathews, Professor of French and Comparative Criticism, University College London 'These careful and intriguing poems will require turning over and over before they give up their secrets.'
David Wheatley, TLS
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