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In Search of Dustie-Fute
RRP: GBP 9.99
You Save: GBP 1.00
Price: GBP 8.99
This title is available for academic inspection (paperback only).
ISBN: 978 1 784103 96 5
Categories: 21st Century, British, Scottish
Imprint: Carcanet Poetry
Published: August 2017
216 x 135 x 8 mm
Publisher: Carcanet Press
Also available in: eBook (Kindle), eBook (EPUB), eBook (PDF)
Digital access available through Exact Editions
Shortlisted for the 2017 Saltire Society Poetry Book of the Year Award.
Who is Dustie-Fute? A vagrant, a hawker, a poet. A dustyfooted Scottish Orpheus. A stranger, a migrant, a ghost. In his search for Dustie-Fute, David Kinloch begins amid the Parisian floods of 1910: with the waters rising, a lonely giraffe speaks from the abandoned zoo, witness to what seems the end of the world. Other animals chime in, Dustie-Futes all, a hooved and humped chorus of watery sages. Elsewhere, two young college dudes quote Rilke at each other. Cain’s wife, the Virgin Mary and that eternal stepdad St Joseph draw on memories they didn’t know they had. In a series of feminist monologues, feisty biblical women seek revenge on their husbands and oppressors, before Dustie-Fute’s final incarnation as a Cavafy-reading Syrian refugee.
Who is Dustie-Fute? Many are, and many have been. A fellowship of strangers across time: free spirits, survivors. Kinloch’s bestiary of forgotten voices spans apocalypse and salvage, elegy and humour. Mythic and erotic, his poems engage ecological disaster, LGBT art and politics, and that great resistance movement, love.
Awards won by David Kinloch Short-listed, 2017 Saltire Society Poetry Book of the Year Award (In Search of Dustie-Fute) Commended, 2011 The Scotsman's Book of the Year (Finger of a Frenchman) Winner, 2004 Robert Louis Stevenson Memorial Award
'Skill and vitality make this handsome publication a true and tender elegy for pleasures shared and love recalled.'
Praise for David Kinloch 'A sparkling collection: full of sensuous richness and linguistic inventiveness. As the punning title of the book might suggest, there is much about fathers and sons, including the moving simplicity of a walk with a dead father 'and then/I let him go,/but this moment/which is far the hardest pain/remains'. But Kinloch unrolls a convincing set of unexpected scenarios: outspoken excerpts from Roger Casement's diaries intercut with the horrors of the Belgian oppression in Africa; tightly drawn translations of Celan into Scots; and a most impressive long poem, 'Baines His Dissection', where a medical man is seen embalming the body of his friend and lover, against the background of a brilliantly evoked Middle East of the seventeenth century.'
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