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Door In the Wall
RRP: GBP 4.95
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Price: GBP 4.46
Out of Print
ISBN: 978 0 192829 39 9
Published: September 1999
216 x 136 x 6 mm
Publisher: Carcanet Press
Also available in: Paperback
This collection is the third since Charles Tomlinson's revised Collected Poems was published in 1987. The Door in the Wall offers his readers new interests, combined with a reaching back to historical events of the past, such as the Russian invasion of Czechoslovakia in 1968 and the French political theatre of the same year.
Often referred to as a poet of landscape, here again he also surveys the urban scene: San Francisco since AIDS, prosperous Tübingen with its beggars and drugs, a New York restaurant in a Puerto Rican district. The book includes a key poem in which this long-time inhabitant of Gloucestershire compares nots with his Mexican friend Octavio Paz on their decision to remain in their native countries.
Awards won by Charles Tomlinson Winner, 2003 New Criterion Poetry Prize (Skywriting)
Praise for Charles Tomlinson 'Tomlinson is one of the most astute, disciplined, and lucent poets of his generation. His quiet, meditative voice will reverberate on both sides of the Atlantic for a long time to come.'
Edward Hirsch 'Tomlinson's work and his new volume achieve balance, synthesis and wonderful expression. Add to this that he is also very funny, and I trust you have abandoned any reason not to buy the book. Let's be proud of him.'
David Morley, the Guardian 'Tomlinson has an international reputation as a poet and translator. He is also a painter and brings his artist's eye to his poetry, drawing out exact lines, creating luminous imagery that is still touched by a sense of mystery. Please read him...his collection Seeing is Believing is one of my all-time favourites.'
Sion Hamilton, The Bookseller pick of 2006. 'He has divided his line according to a new measure learned, perhaps, for a new world. It gives a refreshing rustle or seething to the words which bespeak the entrance of a new life'.
William Carlos Williams 'Against the word as spectacle, Tomlinson opposes the concept -- a very English one -- of the world as event...He is fascinated -- with his eyes open: a lucid fascination -- by the universal busyness, the continuous generation and degeneration of things'.
Octavio Paz 'Tomlinson insists, and he has a right to insist, that he is as authentic a voice of modern Britain as Larkin isâ¦ Only in the great poets is content so intimately married to form'.
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