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The Seven Ages
Categories: 20th Century, American, Women
Imprint: Carcanet Poetry
Publisher: Carcanet Press
Paperback (68 pages)
(Pub. Nov 2001)
Recipient of the Nobel Prize in Literature 2020
Loiuse Gluck has long practised poetry as a species of clairvoyance. She began as Cassandra, at a distance, in league with the immortal; to read her books sequentially is to chart the oracle's metamorphosis into unwilling vessel, reckless, mortal and crude. The Seven Ages is Gluck's ninth book, her strangest and most bold. In it she stares down her own death, and, in so doing, forces endless superimpositions of the possible on the impossible - an act that simultaneously defied and embraces the inevitable, and is, finally, mimetic. Over and over, at each wild leap or transformation, flames shoot up at the reader's spine.
Awards won by Louise Glück Short-listed, 2014 Forward Prize for Best Collection (Faithful and Virtuous Night) Short-listed, 2014 T. S. Eliot Prize (Faithful and Virtuous Night) Winner, 1993 Pulitzer Prize (The Wild Iris)
Praise for Louise Glück 'Gluck's essays are delicate, tactful, self-aware and wry; her sense of humour is so understated that you might miss it if you think of her solely as a poet of tenacity and autumnal smokiness... Reading American Originality alongside her first essay collection, Proofs and Theories (1994), a portrait emerges of a wilful, embattled child who earned her stern serenity not only through loss but also through that miraculous state of grace that poetry can provide'
Ange Mlinko, Literary Review
'In this collection of sharply focussed and insightful essays one unifying theme emerges. Despite all the fads and fashions, the dead ends and new waves of poetry one thing survives, and that as she so vividly reminds us, is poetry'
Roger Bloor, The Alchemy Spoon
'Her writing's emotional and rhetorical intensity are beyond dispute. Not once in six books has she wavered from a formal seriousness, an unhurried sense of control and a starkness of expression that, like a scalpel, slices the mist dwelling between hope and pain.'
Washington Post 'Gluck stands at the centre of time and speaks, not with raw emotion or linguistic abandon, but with the ageless urgency of questions about the soul.'
Partisan Review 'Characteristically sure-footed, Glück speaks to our time in a voice that is onstage, but heard from the wings.'
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