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The House on the Marshland

Louise Glück

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Imprint: Anvil Press Poetry
Publisher: Carcanet Press
Available as:
Paperback (48 pages)
(Pub. Jun 1997)
9780856460289
Out of Stock
  • Description
  • Author
  • Awards
  • Reviews
  • The second collection of a major American poet. Of her previous collection of poems, Firstborn, published in England in 1969, John Fuller wrote in The Listener: ‘Her words are alive and her perceptions have strength. This is a very genuine and enjoyable first book.’

    Louise Glűck is the author of twelve books of poems and two collections of essays. She received the 2020 Nobel Prize in Literature "for her unmistakable poetic voice that with austere beauty makes individual existence universal." Her other awards include the National Humanities Medal, the Pulitzer Prize, the National Book Award, ... read more
    Awards won by Louise Glück Short-listed, 2014 Forward Prize for Best Collection (Faithful and Virtuous Night) Short-listed, 2014 T. S. Eliot Prize (Faithful and Virtuous Night) Winner, 1993 Pulitzer Prize (The Wild Iris)
    Praise for Louise Glück 'Gluck's essays are delicate, tactful, self-aware and wry; her sense of humour is so understated that you might miss it if you think of her solely as a poet of tenacity and autumnal smokiness... Reading American Originality alongside her first essay collection, Proofs and Theories (1994), a portrait emerges of a wilful, embattled child who earned her stern serenity not only through loss but also through that miraculous state of grace that poetry can provide'

    Ange Mlinko, Literary Review

    'In this collection of sharply focussed and insightful essays one unifying theme emerges. Despite all the fads and fashions, the dead ends and new waves of poetry one thing survives, and that as she so vividly reminds us, is poetry'

    Roger Bloor, The Alchemy Spoon

    'Her writing's emotional and rhetorical intensity are beyond dispute. Not once in six books has she wavered from a formal seriousness, an unhurried sense of control and a starkness of expression that, like a scalpel, slices the mist dwelling between hope and pain.'
    Washington Post
    'Gluck stands at the centre of time and speaks, not with raw emotion or linguistic abandon, but with the ageless urgency of questions about the soul.'
    Partisan Review
    'Characteristically sure-footed, Glück speaks to our time in a voice that is onstage, but heard from the wings.'
    Publishers Weekly
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