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Arioflotga

Frank Kuppner

Arioflotga
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Categories: 21st Century, Scottish
Imprint: Carcanet Poetry
Publisher: Carcanet Press
Available as:
Paperback (112 pages)
(Pub. Oct 2008)
9781857549331
Out of Stock
eBook (EPUB) Needs ADE!
(Pub. Oct 2008)
9781847778673
£9.95 £8.96
eBook (Kindle)
(Pub. Oct 2008)
9781847778680
£9.95 £8.96
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  • Description
  • Author
  • Reviews
  • Surely none of us can have been left quite unaffected by the recent startling and unfortunate disaster of the disappearance of the Great Poetic Anthology into the electronic cracks between the major academic institutions which were preparing it - something which one might have thought to be impossible in this age of unremitting communication. Nothing can compensate us for a loss of such magnitude. And yet here is some slight alleviation. Just over a year and a half ago, a copy of what seems to be a version of the index of first lines of the vast confusion of lost poems mysteriously turned up in a Latin American restaurant in Glasgow. No time has been lost in offering it to a still disconsolate public. It is not nothing that a portion of what promised to be the greatest collection of poetical thought of all time has not been utterly lost. And, as it happens, such is now not the case. No. Not so. For here indeed are depths, insights, provocations and astonishments. Or, at least, the beginnings of them.


    Cover photograph: Codex Armenicus Rescriptus, palimpsest from the Monastery of St Catherine, Mt Sinai, 6th century and first half of 10th century. Cover design by StephenRaw.com.





    Frank Kuppner was born in Glasgow in 1951. He has written eleven Carcanet collections. The first, A Bad Day for the Sung Dynasty, was awarded a Scottish Arts Council Book award in 1984. Second Best Moments in Chinese History received the same award in 1997. A novelist as well as ... read more
    Praise for Frank Kuppner    'Goodsir Smith, who drew from poetry from the Far East, shares Kuppner's nimble and fluid ability to code-switch and move from the sublime to the ridiculous in the space of a line or two. The difference is that Kuppner has managed to sustain this for the length of a book of some 120 pages, which is a feat to be marvelled at, and of course enjoyed.'
    Richie McCaffery, The Bottle Imp
    'He writes with the bemused urgency of someone who has only just noticed that nothing whatsoever makes any sense... Kuppner risks playing with bathos and sarcasm, outright silliness and sheer smut...'
    Sunday Herald
    'Kuppner's poetry invites us to reflect on human knowledge and the ineffable, trivial nature of existence; it is true philosophy. He makes us think about what it means to be alive.'
    The Independent 
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