Carcanet Press Logo
Quote of the Day
Devotedly, unostentatiously, Carcanet has evolved into a poetry publisher whose independence of mind and largeness of heart have made everyone who cares about literature feel increasingly admiring and grateful.
Andrew Motion

The Baboons of Hada

Eric Ormsby

The Baboons of Hada by Eric Ormsby
10% off eBook (EPUB)
Imprint: Carcanet Poetry
Publisher: Carcanet Press
Available as:
eBook (EPUB) Needs ADE!
(Pub. Aug 2011)
9781847778314
£9.95 £8.96
Paperback
(Pub. May 2011)
9781847770660
Out of Stock
To use the EPUB version, you will need to have Adobe Digital Editions (ADE) installed on your device. You can find out more at https://www.adobe.com/uk/solutions/ebook/digital-editions.html. Please do not purchase this version if you do not have and are not prepared to install, Adobe Digital Editions.
  • Description
  • Excerpt
  • Author
  • Contents
  • Reviews
  • I like the way the rooster lifts his feet,
    So jauntily exact,
    Then droops one springy yellow claw aloft
    Just like a tailor gathering up a pleat.
    And then there are those small surprising lilts,
    Both rollicking and staid,
    That grace his bishop’s gait,
    Like a waltzer on a pair of supple stilts
    Or a Russian on parade.

                                                        from ‘Rooster’
    The Baboons of Hada introduces thirty years of Eric Ormsby’s precise and generous poetry. Opening with an exuberant bestiary of spiders and starfish, penguins, snakes and contemplative baboons, the collection moves on to explore a world of intricate wonders and memories: the grandeur of noses, the mayonnaise tornado whipped up by a kitchen whisk, the gossip gravediggers whisper to the dead. An American childhood and kinships are evoked with loving particularity, alongside a flamboyant caliph, Lazarus and his disenchanted wife, and the great medieval Arab poet al-Mutanabbi writing in exile lines that reverberate across ‘all the empty places’ of the world.

    Cover image Engraving on paper of real and fantastic animals (detail), Florence c. 1460-70. Copyright © The Trustees of the British Museum
    Contents

    Origins

    I
    After Becquer
    Our Spiders
    Microcosm
    Conch Shell
    Starfish
    Ant-Lion
    Spider
    Flamingos
    Grackle
    Anhinga
    Rooster
    Watchdog and Rooster
    Craneworld
    Cradle-Song of the Emperor Penguins
    The Egyptian Vulture
    Garter Snake
    The Baboons of Hada
    Lichens
    Milkweed
    Skunk Cabbage
    Mullein
    Live Oak, with Bromeliads

    II
    The Crossing
    Getting Ready for the Night
    The Suitors of my Grandmother’s Youth
    Two Views of My Grandfather’s Courting Letters
    Adages of a Grandmother
    Hand-Painted China
    Finding a Portrait of the Rugby Colonists, My Ancestors
    Among Them
    A Freshly Whitewashed Room
    My Mother in Old Age
    Childhood House
    Dicie Fletcher
    The Jewel Box

    III
    For a Modest God
    What the Snow Was Not
    Salle des Martyrs
    Mutanabbi in Exile
    The Caliph
    Lazarus in Skins
    Forgetful Lazarus
    Lazarus and Basements
    Lazarus Listens
    Mrs Lazarus
    Hate
    Gravediggers’ April
    Nose
    Fingernails
    Fetish
    Blood
    Another Thing
    Conquests of Childhood
    Childhood Pieties
    The Song of the Whisk
    Episode with a Potato

    IV
    Bavarian Shrine
    Railyard in Winter
    Florida Bay
    Daybreak at the Straits
    A Salt Marsh near Truro
    Nova Scotia
    Gazing at Waves
    An Epistle from Rice Point
    Coastlines
    An Oak Skinned by Lightning
    The Public Gardens

    History

    Acknowledgements



    Eric Ormsby was born in Atlanta, Georgia. A distinguished scholar in the field of Islamic thought, he received a doctorate in Near Eastern Studies from Princeton University and taught at McGill University, Montreal for twenty years, where from 1996 he was Professor and Director of the Institute of Islamic Studies. In ... read more
    'His poems afford the rare pleasure of listening to a polished yet deeply humane sensibility respond, in language of exhilarating verve, to whatever it seizes on or despairs of'
    The New Criterion 
You might also be interested in:
Cover of Forty Lies
Forty Lies John Gallas
Share this...
The Carcanet Blog Coco Island: Christine Roseeta Walker read more that which appears: Thomas A Clark read more Come Here to This Gate: Rory Waterman read more Near-Life Experience: Rowland Bagnall read more The Silence: Gillian Clarke read more Baby Schema: Isabel Galleymore read more
Find your local bookshop logo
Arts Council Logo
We thank the Arts Council England for their support and assistance in this interactive Project.
This website ©2000-2024 Carcanet Press Ltd