Quote of the Day
Your list has always been interesting, idiosyncratic, imaginative and your translations [...] have been a source of pleasure to me.
Subscribe to our mailing list
Out of my Borrowed Books
Poems by Augusta Webster, Mathilde Blind and Amy Levy
Edited by Judith Willson
Categories: 19th Century, Women
Publisher: Carcanet Press
Paperback (320 pages)
(Pub. Nov 2006)
Out of Stock
...teaching myself out of my borrowed books...
from Augusta Webster, 'The Castaway'
This anthology brings together for the first time a substantial selection of poems by Augusta Webster (1837-94), Mathilde Blind (1841-96) and Amy Levy (1861-89), three poets whose writing both reflected and helped to shape a time when women were working out structures for new kinds of lives and the language for new voices. All three were conscious of the traditions they inherited and remade. The tensions they explore, between compliance and transgression, independence and isolation, make their poetry both creatively rewarding and historically significant. Many of the poems in this selection have been neglected for almost a century: now, restored to their context in the late Victorian literary landscape, their compelling imaginative worlds are once more made accessible to readers.
The anthology includes an introduction to the lives and cultural context of the three poets, bibliographies and detailed notes on the poems.
'a key publication for bringing [women poets of the fin de siecle] into print as a group'
Marion Thain and Ana Parejo Vadillo, Writing Women of the Fin de Siecle Praise for Judith Willson 'Fleet is an important book: it seeks to recover lost voices and sharpen our awareness of imperial cruelty and exploitation, while unveiling a future in which the once most powerful species is itself endangered ... Willson is the kind of writer who has a gift for bringing research alive, and infuses sparse facts with mystery and pathos.'
Carol Rumens, The Guardian where The Human Voice from a Distance was Poem of the Week w/c 1st March 2021
'These poems glitter and intrigue, with a high strike-rate, a sophisticated polish on words.'
Dilys Wood, Artemis Poetry
'It is a poetry of settlement, of attending to the artistic voices including your own, and contemplating their artefacts as is only possible in a civilised condition. How it might view such things as governmental cruelty or the history of brutality, is suggested through the careful development of figurative language.'
Peter Riley, Fortnightly Review
'She gets everything right: beautiful, fulsome vocabulary, arresting images, and perfect control of tone and metre. She is thoughtful and exact. These poems have clearly seen many reworkings. I'm reading this book greedily...I know I'll come back to it again.'
Charlotte Wetton, The Kindling Journal
'Judith Willson's taut, meditative, richly imagined debut collection ... is an on-going interplay between a speaking us and a silent them, between multiple artworks and their multiple subjects: not just one single crossing of the mirror line, but several.'
Stephen Grace, Eborakon
Judith's poem 'A Bone Flute' from her debut collection Crossing the Mirror Line was Guardian Poem of the Week on 8th January 2018
'Judith Willson's poetry takes us, in a dazzling flow of images, to lives which have the solidity of Central European fairytale with all the frightening reality of history behind them. Richly inventive in form and precise in tone, this is an amazingly assured debut collection.'
The Carcanet Blog New Poetries VIII: Rebecca Watts on Jennifer Edgecombe read more A Litany for Survival: Victoria Kennefick read more Jennifer Edgecombe: NPVIII: Meet the Contributor read more New Poetries VIII: Ian Pople on Joe Carrick-Varty read more Joe Carrick-Varty: NPVIII: Meet the Contributor read more New Poetries VIII: Andrew Latimer on Benjamin Nehammer read more
We thank the Arts Council England for their support and assistance in this interactive Project.
This website ©2000-2021 Carcanet Press Ltd