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The Estate

Sasha Dugdale

The Estate cover
RRP: GBP£ 8.95
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Paperback
ISBN: 978 1 903039 80 9
Categories: 21st Century, Russian, Women
Imprint: Carcanet Poetry
Published: February 2007
216 x 135 x 6 mm
64 pages
Publisher: Carcanet Press
  • Description
  • Excerpt
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  • Reviews
  • No one person could be this desired
    Across the gulf, could contain in their veins
    That quiet, or the nervous system of stones
    And seasons with the same small time.

    No thing could remain so finally other
    Though the birds move between, the clouds
    Pass over. Might have been Russia or even China
    Might have been pack ice, floating, floating
        
                                      from 'Island'
    Sasha Dugdale's poems explore the mysterious solitudes of individual lives with tender, unsparing lucidity. The book opens with a sequence written at the Pushkin family estate. The great Russian poet, setting out to St Petersburg, turns back when a hare runs in front of his horse: the superstitious act saves his life. Such chance or fated moments where paths cross are at the heart of the collection. A boy on a train, passing a gold chain through his fingers, sparks a buried childhood memory in a watching passenger; lovers reach out to touch in the dark; a dying soldier holds to the sight of house martins swooping over a pool. In fragmentary meetings, Dugdale finds a source hope and art.

    From reviews of Notebook, Sasha Dugdale's first collection:

    '...a beguiling and unusual debut, its best poems at once elusive, satisfying and likely to go on being read.'
                                                   Sean O'Brien, Times Literary Supplement
    Sasha Dugdale was born in Sussex. Between 1995 and 2000 she worked for the British Council in Russia, where she set up the Russian New Writing Project with the Royal Court Theatre. She currently works as a translator and consultant for the Royal Court and other theatre companies. Many of her ... read more
    'The sensibility The Estate reveals is intelligent and wry - as well as highly original' - Fiona Sampson, Tower Poetry Praise for Sasha Dugdale My favourite collection this year is Sasha Digdale's 'Red House' (Carcanet Oxford Poets). I like how she has infused her British sensibility with the passion and abandon of Russian poets like Anna Akhmatova and Marina Tssvetaeva, whom she has previously translated. - Kathryn Maris, Timeout Magazine Best of 2011
    'Notebook is a beguiling and unusual debut, its best poems at once elusive, satisfying and likely to go on being read.' - Times Literary Supplement
    Sasha Dugdale’s debut, Notebook , was a profoundly pleasurable and – paradoxically – mature exploration of often-European themes and dictions. read more
    Summer 2008 Loud is the New Quiet Kathryn Morris contrasts poets with different attitudes to restraint. read more
    Rising to Poetry Sasha Dugdale's second collection, The Estate , is by comparison with Bird's a sustained achievement: there are poems here that startle you into respect. read more
    Sasha Dugdale is a poet of great subtlety and rare formal resource. read more
    There is a legend that, when Pushkin set out to join the Decembrists in St Petersburg in 1825, a hare ran across his path. read more
    Sasha Dugdale wrote the opening sequence of this collection during a stay at the family estate of Aleksandr Pushkin, on the border between Russia and Latvia. read more
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