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Making the Beds for the Dead

Gillian Clarke

Cover Picture of Making the Beds for the Dead
RRP: GBP£ 9.99
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Paperback
ISBN: 978 1 857547 37 5
Categories: Welsh
Imprint: Carcanet Poetry
Published: April 2004
220 x 140 x 8 mm
77 pages
Publisher: Carcanet Press
Also available in: eBook (EPUB), eBook (Kindle)
  • Description
  • Excerpt
  • Reviews
  • 1657. The house in Delft.
    Windfalls in a bowl.
    I see her wake, take an apple
    in one hand, a knife in the other.

    The apple has fallen from the tree in Eden.
    They are mapping the round earth,
    discovering geography, astronomy,
    She holds the world in her hand...

    from 'A Woman Sleeping at a Table, by Vermeer'
       
    The title sequence of Making the Beds for the Dead charts the journey of a virus in 'the plague year'. Come from outer space, it travels - on a fox's paw, the beak of a kite and a crow and a buzzard - into the very heart of our lives. The poet includes personal, verses and stories from farmers in her family and neighbourhood.

    The open structure allows the Gillian Clarke to include her seven rock poems, written for the National Botanic Garden of Wales; her poems based in archaeology; and her poems about war, and urban violence. There is an instinctive and a deliberate unity of theme and idiom in this book. The poet remains true to her landscapes and her nation. The sequence 'The Physicians of Myddfai', nine sonnets for Aberglasne, and much else is included in this characteristically generous and engaging volume by Wales' best-loved poet.
    Praise for Gillian Clarke
    'Clarke's mellifluous new collection [A Recipe for Water] is her first since her appointment as Wales's national poet in 2008. The drop of water on the tongue, she tells us, 'was the first word in the world', and it's through water that these poems give up their stories: history is written into the Arctic's ice; myths well up from river sources; the currents on the ocean wash culture and heritage onto our shores. Watery collections have poured forth from the pens of poets from Sean O'Brien to Maura Dooley in recent years; anticipation is high for Clarke's contribution to the pool'. - Sarah Crown, the Guardian, 3 January 2009
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