Quote of the Day
Carcanet Press is our most courageous publisher. When you look at what they have brought out since their beginnings, it makes so many other houses seem timid or merely predictable.
Subscribe to our mailing list
A Kind of Journal
RRP: GBP£ 14.95
You Save: GBP£ 1.50
Price: GBP£ 13.45
Currently Out of Stock
ISBN: 978 1 857546 32 3
Imprint: Lives and Letters
Published: April 2003
216 x 135 x 19 mm
Publisher: Carcanet Press
In 1983 the poet P.J. Kavanagh was asked by the Spectator to write a weekly column, for a month. Thirteen years later he was still at it, though now writing longer, monthly pieces. When he moved to The Times Literary Supplement he continued the process of helping to revive and revitalise the once-popular form of the wide-ranging essay. Peter Levi said he was 'at his best as good as Hazlitt'.
'If description is revelation,' Derek Mahon said of Kavanagh's poems, 'his revelatory gift is prodigious', and many of these pieces are like that in their inventive clarity, their just enthusiasm. They add up to a kind of journal, a life shared. Of his earlier book of prose pieces, People and Places, critics said: 'as addictive as unpredictable' (Spectator) and 'a lucky-dip of delights, stained-glass pictures of his experience' (Country Life).
Praise for P.J. Kavanagh 'There is plenty of quietly glittering intellect in these poems... he has an eye for rural things, birds, plants, weather; all are subdued to the colour of his own mind, its knowledge of loss, its recurrent perception of the world as a place to which it belongs and does not belong... this collection amply demonstrates Kavanagh's distinguished place among contemporary poets.' Frank Kermode on Collected Poems '[P.J. Kavanagh possesses] that quality of sheer readability... ' Vernon Scannell Though in many ways an obvious successor to Edward Thomas... PJKavanagh has also much in common with Louis MacNeice, an essentially private and autobiographical poet... Kavanagh displays the same talent for a conversational tone, and shares MacNeice's fondness for rhyme, his love of echoes... he employs traditional forms while allowing himself a relaxed freedom regarding line-length and metre (not to be mistaken for a lack of craft). The parallels should not be overstressed, however; Kavanagh is decidedly his own man with his own interestsand concerns. For one thing, religion takes the place of politics for him, though his attitude to belief reveals something of that critical fastidiousness MacNeice maintained towards the political orthodoxies of his day... Simon Rae [on Presences]
Same Difference by Peter Carter
The London Magazine December / January 2005
Charles Tomlinson is nearing the end of his last 1982 Clark Lecture, 'Metamorphosis and Translation'. read more
We thank the Arts Council England for their support and assistance in this interactive Project.
This website ©2000-2013 Carcanet Press Ltd