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A wintry gold floods the bedroom this morning:
a January sun, drenching the air, alight
in a silk scarf, a yellow flare in the mirror.

In Gold Elaine Feinstein for the first time brings the narrative skills of her fiction directly into her poetry. The book opens with an ambitious monologue, spoken in the voice of Mozart's librettist, Leonardo da Ponte. An interloper in European culture, he impudently challenges the society that forces him to live on his wits. A similar estranged clarity runs through several of the longer poems: the familiar world discloses sinister latencies, new beauties. Gold also includes a section of her celebrated personal lyrics, what the Times Literary Supplement called her
'wiry, concentratedly truthful lyric of survival' in 'a completely singing
voice' (Michele Roberts).

She is an extremely fine poet. She has a sinewy, tenacious way of penetrating and exploring the core of her subject that seems to me unique. Her simple, clean language follows the track of the nerves. There is nothing hit or miss, nothing for effect, nothing false. Reading her poems one feels cleansed and sharpened.

Ted Hughes

Elaine Feinstein was educated at Newnham College, Cambridge. She has worked as a university lecturer, a subeditor, and a freelance journalist. Since 1980, when she was made a Fellow of the Royal Society of Literature, she has lived as a full-time writer. In 1990, she received a Cholmondeley Award for Poetry, ... read more

Praise for Elaine Feinstein 'Like numerous English readers, I owe my discovery of Tsvetaeva to the multi-talented poet and writer, Elaine Feinstein... Feinstein's translations prove that a poem can be re-born in its adoptive language.' - Carol Rumens 'Talking to the Dead is arguably Elaine Feinstein's best collection. Beautifully crafted, deeply felt, totally earned, these poems of love and bereavement, and more, will expand her readership well beyond the readers and writers of contemporary poetry who have long loved and treasured her exemplary contribution to the art.' Carol Ann Duffy 'Beautiful, generous, wonderfully intense poems ... Anyone who has ever felt comforted in grief by words, or who has lived through that tension between tenderness, longing and guilt, will recognize their precision and their truth.' Ruth Padel 'These are more than elegies, they are alchemy; the emotional force of the book is so strong that the dead come walking out of the pages.' Jo Shapcott 'The strangeness of visited cities, with their fearful histories, has been transmuted here by the responses of a truly gifted poet.' Dannie Abse 'Cities presents itself as the work of old age, but readers expecting regret or renunciation will be surprised by the affirmative character of this book. While Elaine Feinstein revisits Europe in the aftermath of Nazism, she also praises the good fortune of having lived richly in the sphere of literature and travelled widely among remarkable people. The poems here are lit with striking clarity - things retain their outline and solidity to an unusual degree.' Sean O'Brien 'Elaine Feinstein has made the juncture between poetry and memoir her own. As befits a poet who is also a master of fiction and biography, she writes with casual erudition and an acute storyteller's eye. Her forays into European culture and history are dazzling. Cities is a profoundly humane, intimate exploration of the places and stages by which a life acquires meaning.' Fiona Sampson 'For more than 40 years, Feinstein has been writing intensely lyrical, finely crafted poems. Those in [Talking to the Dead] are honest and moving, and are among her very best.' No. 1 in 'The Ten Best New poetry collections' - the Independent, 2007

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Gold Elaine Feinstein RRP: GBP£ 6.95 Discount: 10% You Save: GBP£ 0.70 Price: GBP£ 6.25 Currently Out of Stock Paperback ISBN: 978 1 857544 49 7 Categories: Jewish, Women Imprint: Carcanet Poetry Published: January 2000 216 x 135 x 6 mm 64 pages Publisher: Carcanet Press Description Excerpt Author Reviews A wintry gold floods the bedroom this morning: a January sun, drenching the air, alight in a silk scarf, a yellow flare in the mirror. In Gold Elaine Feinstein for the first time brings the narrative skills of her fiction directly into her poetry. The book opens with an ambitious monologue, spoken in the voice of Mozart's librettist, Leonardo da Ponte. An interloper in European culture, he impudently challenges the society that forces him to live on his wits. A similar estranged clarity runs through several of the longer poems: the familiar world discloses sinister latencies, new beauties. Gold also includes a section of her celebrated personal lyrics, what the Times Literary Supplement called her 'wiry, concentratedly truthful lyric of survival' in 'a completely singing voice' (Michele Roberts). She is an extremely fine poet. She has a sinewy, tenacious way of penetrating and exploring the core of her subject that seems to me unique. Her simple, clean language follows the track of the nerves. There is nothing hit or miss, nothing for effect, nothing false. Reading her poems one feels cleansed and sharpened. Ted Hughes Elaine Feinstein was educated at Newnham College, Cambridge. She has worked as a university lecturer, a subeditor, and a freelance journalist. Since 1980, when she was made a Fellow of the Royal Society of Literature, she has lived as a full-time writer. In 1990, she received a Cholmondeley Award for Poetry, ... read more Praise for Elaine Feinstein 'Like numerous English readers, I owe my discovery of Tsvetaeva to the multi-talented poet and writer, Elaine Feinstein... Feinstein's translations prove that a poem can be re-born in its adoptive language.' - Carol Rumens 'Talking to the Dead is arguably Elaine Feinstein's best collection. Beautifully crafted, deeply felt, totally earned, these poems of love and bereavement, and more, will expand her readership well beyond the readers and writers of contemporary poetry who have long loved and treasured her exemplary contribution to the art.' Carol Ann Duffy 'Beautiful, generous, wonderfully intense poems ... Anyone who has ever felt comforted in grief by words, or who has lived through that tension between tenderness, longing and guilt, will recognize their precision and their truth.' Ruth Padel 'These are more than elegies, they are alchemy; the emotional force of the book is so strong that the dead come walking out of the pages.' Jo Shapcott 'The strangeness of visited cities, with their fearful histories, has been transmuted here by the responses of a truly gifted poet.' Dannie Abse 'Cities presents itself as the work of old age, but readers expecting regret or renunciation will be surprised by the affirmative character of this book. While Elaine Feinstein revisits Europe in the aftermath of Nazism, she also praises the good fortune of having lived richly in the sphere of literature and travelled widely among remarkable people. The poems here are lit with striking clarity - things retain their outline and solidity to an unusual degree.' Sean O'Brien 'Elaine Feinstein has made the juncture between poetry and memoir her own. As befits a poet who is also a master of fiction and biography, she writes with casual erudition and an acute storyteller's eye. Her forays into European culture and history are dazzling. Cities is a profoundly humane, intimate exploration of the places and stages by which a life acquires meaning.' Fiona Sampson 'For more than 40 years, Feinstein has been writing intensely lyrical, finely crafted poems. Those in [Talking to the Dead] are honest and moving, and are among her very best.' No. 1 in *'The Ten Best New poetry collections' - the Independent, 2007*	Share this... Quick Links Aspects of Portugal Audio Books Carcanet Fiction Carcanet Film Carcanet Poetry Comma Press FyfieldBooks Lintott Press Lives and Letters OxfordPoets PN Review Sheep Meadow Press The Carcanet Blog Book Launch: Distance and Memory by Peter Davidson read more Sam Ruddock: Bibliodiversity read more Lucy Burnett: An Eco-poetic Sensibility read more Chris Beckett: Looking for Abebe, the cook's son read more Richard Price: A Month in Portugal read more Let's Gimbal! read more
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