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Five Fields

Gillian Clarke

Cover Picture of Five Fields
RRP: GBP£ 8.95
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Price: GBP£ 8.05
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ISBN: 978 1 857544 01 5
Categories: 20th Century, British, Welsh, Women
Imprint: Carcanet Poetry
Published: November 1998
215 x 136 x 18 mm
220 pages
Publisher: Carcanet Press
Also available in: eBook (Kindle), eBook (EPUB)
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  • On the palm of a ledge outside the publisher's window
    in the Corn Exchange is a clutch of broken eggs,
    fledglings blown away twig-limbed and goggle-eyed.
    I imagine a poem of love from the publisher's desk
    afloat like a bright balloon against the wire.

    from 'The City: The Bomb'

    The poems in Gillian Clarke's Five Fields break new ground. Known as a poet of rural themes and of Wales, in this book she engages with the city in its human and material diversity. Having spent time as Writer in residence at the Bridgewater Hall, Manchester, she came into close touch with another kind of music, and with the different spaces it occupies, the different demands it makes on performers and audiences.

    There are poems from Bosnia, France and the Mediterranean coast, and poems from the landscape we most readily associate with this best-loved of Welsh poets: Wales, its people and its creatures.
    Awards won by Gillian Clarke Winner, 2011 Queen's Gold Medal for Poetry.
    Winner, 2012 Wilfred Owen Award
    Praise for Gillian Clarke 'Gillian Clarke’s outer and inner landscapes are the sources from which her poetry draws its strengths.'
    Carol Ann Duffy, Guardian
     'Gillian Clarke'€™s [poems] ring with lucidity and power... Clarke'€™s work is both personal and archetypal, built out of language as concrete as it is musical.'
    Anne Stevenson, Times Literary Supplement
    'Gillian Clarke is one of the most widely respected and deeply loved poets in the world.'
    Carol Ann Duffy, Poet Laureate
     'In Ice Gillian Clarke explores memory and identity through a series of winter landscapes.'
    Adam Newey, The Guardian, 1st December 2012
    'Clarke's mellifluous new collection [A Recipe for Water] is her first since her appointment as Wales's national poet in 2008. The drop of water on the tongue, she tells us, 'was the first word in the world', and it's through water that these poems give up their stories: history is written into the Arctic's ice; myths well up from river sources; the currents on the ocean wash culture and heritage onto our shores. Watery collections have poured forth from the pens of poets from Sean O'Brien to Maura Dooley in recent years; anticipation is high for Clarke's contribution to the pool'.
    Sarah Crown, the Guardian, 3 January 2009
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