Quote of the Day
Carcanet has always been the place to look for considerations of purely literary and intellectual merit. Its list relies on the vision and the faith and the energy of people who care about books, and values. It is thus as rare as it is invaluable.
Subscribe to our mailing list
ISBN: 978 1 857543 79 7
Imprint: Carcanet Poetry
Published: August 1998
215 x 135 x 28 mm
Publisher: Carcanet Press
Also available in: Hardback, eBook (EPUB), eBook (Kindle)
'His poems move in service of the loved landscapes of England and France; they sing (and growl) in love of argument, in love of seeing through, in love of the firm description of moral self-disgust, they move in love of the old lost life by which the new life is condemned.'
Donald Hall, New York Times Book Review.
When C.H. Sisson was 20, he gave up writing poems. He began once more in his 30s under the stress of war-time, stationed in India. Verse came intermittently, exiguously; the bulk of his early writing in translation ('fishing in other men's waters' he calls it), prose essays and fiction. In the 1960s his poems began to appear.
The London Zoo - his first major book - was published in 1961 when the poet was 47. Since that time his place has grown secure: he is one of the few direct English heirs of the great Modernists, a poet who grounds the enormous energies of that movement in English landscapes, especially those of Somerset, and reconciles the legacies of Eliot and Pound on the one hand and of Hardy and Edward Thomas on the other. The epigraph of his 1984 Collected Poems, which this volume updates and corrects, was from John Gower:
O gentile Engleterre, a toi j'escrits.
Praise for C.H. Sisson `His poems move in service of the loved landscapes of England and France; they sing (and growl) in love of argument, in love of seeing through, in love of the firm descriptions of moral self-disgust; they move in love of the old lost life by which the new life is condemned.'
Donald Hall, New York Times Book Review 'I think he is worth a place on the short shelf reserved for the finest twentieth-century poets, with Eliot and Rilke and MacDiarmid.'
Robert Nye, the Scotsman
You might also be interested in:
We thank the Arts Council England for their support and assistance in this interactive Project.
This website ©2000-2017 Carcanet Press Ltd