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Some Speculations on Literature, History and ReligionRobert GravesEdited by Patrick Quinn
Hardback
ISBN: 978 1 857542 82 0 Imprint: Lives and Letters Published: August 2000 216 x 135 mm 356 pages Publisher: Carcanet Press
Mycology, psycho-analysis, music, mythology, linguistics, Christianity, occultism, Majorca, esoterica...This book for the first time selects the best from the more than five hundred essays which Robert Graves wrote about areas of culture which engaged him. His critical diversity illustrates his eclectic interests and his dazzling genius in making connections. He engages every kind of reader; whether we agree or disagree, and he sharpens our own critical skills even as he informs and entertains us.
His first journal article was written in 1913. He was seventeen. It was a critique of popular music entitled 'Ragtime', published in the Charterhouse school magazine The Greyfriar. A lifetime later, his final published essay was fittingly called 'All Things to All Men' and published in 1977 in Malahat Review. For sixty-four years of a turbulent century Graves trained a wary eye, passionately and wryly, on social and political change, popular culture, religion and economics. His range and creative originality set him in a class of his own. Many of these essays evolved out of Graves' literary pursuits and cast light on his poetry and fiction. General Editor of the Robert Graves programme, Patrick Quinn is Professor of English Literature at University College Northampton. He is author of The Great War and Missing Muse: The Early Poetry of Robert Graves and Siegfried Sassoon, editor of Re-charting the Thirties, New Perspectives on Robert Graves, and The Dictionary of Literary Biography Documentary Series volumes on English Great War poets. He is the former editor of Gravesiana: The Journal of the Robert Graves Society and Focus on Robert Graves and His Contemporaries. He edited the Centenary Selected Poems for the Robert Graves Programme.
Praise for Robert Graves
There is eloquence, wit and a formal shapeliness in abundance from first to last. Michael Glover, Financial Times 10/02/01
While poetry schools came and went, Graves went on writing until his death in 1985, in an elegant, classically inspired style. Andrew Crumey, Scotland on Sunday 07/01/01
No one else offers his precise combination of eroticism, nightmare and epigram. Sean O'Brien, The Guardian 13/01/01
Graves experiences in the trenches of the First World War are most vivid and moving. Robert Nye, Scotsman on Sunday, 16/12/00
In his attitude to verse he remained a Georgian, an eccentric one. Eric Hester, Catholic Times 20/02/00
Graves enshrines his archetypal motifs of obsessive love in legendary contexts from which the contemporary world is resolutely excluded. Mark Ford, The London Review of Books
One of the twentieth century's major writers. Richard Foster, Yorkshire Evening Press
Graves is a poet and a visionary in his prose writings, always stimulating and frequently enlightening. Patrick Reilly, The Herald
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