Carcanet Press - No Tear is Commonplace

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Old Fool, I have no desire for the afterlife.
I want to stay here with You, to hang around
with Your trees, Your animals and my wife.

from ‘Why’

The poems collected in No Tear is Commonplace stage a passionate, curious, and often combative relationship with the world and the forces that shape human life and death. Stanley Moss’s range is wide: his poetry recalls the ‘Adirondack wilderness’ of childhood summers, imagines a young Christ learning carpentry, reflects on the tragedies of twentieth-century Europe. What shines through is the poet’s commitment to the fullness of human experience in the here-and-now.

Sunrise – Morning

Paper Swallow

Nightingale

Tell Me Pretty Maiden

No Tear is Commonplace

Why

What

Parable of the Porcupine

Capriccio

History

Sand

To a Stranger

Bright Day

That Morning

12 Noon

Chorus

The Man Tree

The American Dream

Revenge Comedy

Letter to a Fish

The Fish Answers

December 8

Please

Drinking Song

Smiles

Granite

Alexander Fu Musing / China Song

Elegy for the Poet Reetika Vazirani and her Child

On William Blake’s Drawing, ‘The Ghost of a Flea’

A Glance at Turner

Requiem

Dogs

Munich 2010

For Georgie

Sunset – Night

Poem

Anatomy Lessons

February

Listening to Water

And there are African Links/Licks in Every Language

Letter to Dannie Abse

The Hudson River

Down River

The Grammarian

Affluent Reader

Space Poem

Onlyness

Eye

Backstage

For Uncle Lem

Signifier

Silent Poem

The Carpenter

Squeezing the Lemon

Pollen

Psalm

Index of Titles and First Lines

Stanley Moss was born in Woodhaven, New York. He was educated at Trinity College and Yale University, and he served in the US Navy during World War II. After the war he worked at Botteghe Oscure and taught English in Rome and Barcelona. His first book of poems, The Wrong Angel ... read more

'Unthinkable questions [...], but when he formulates them they take on the quiet urgency of common daylight.'
John Ashbery 'It is time to celebrate the singular beauty and power of Stanley Mossâs poetryâ¦ The damp genius of mortality presides.'
Stanley Kunitz 'Again and again, coming upon a poem of Stanley Mossâs, I have had the feeling of being taken by surprise. Not simply by the eloquence or the direct authenticity of the language, for I had come to expect those in his poems. The surprise arose from the nature of his poetry itself, and from the mystery that his poems confront and embody, which makes them both intense and memorable.'
W.S. Merwin Praise for Stanley Moss 'Magisterial... God Breaketh Not All Men's Hearts Alike is magnificent. I've read it several times with greater and greater pleasure. Its verbal generosity and bravura, its humanity, the quality and quantity of information which it integrates into poetry of the highest order make it a continuing delight.'
Marilyn Hacker ''Death is a many-colored harlequin', asserts Stanley Moss on his 92nd birthday. Undaunted, outrageously alive, Moss in these poems flaunts more colors than the Grim Reaper ever dreamed of, laughs in his face, rhymes with abandon, makes a joyful noise unto the Lord, and struts with Baudelaire. This is a book to hold onto for dear life.'
Rosanna Warren 'Moss is the kind of poet who tries to find words that help us live, that tell us directly how to laugh down folly or take courage.'
New York Times reviews US edition of Almost Complete Poems 'This is a book made of experience and high intellect. ... these poems curse and sing about the blessings and tragedies of personal life ... an important, gutsy collection.'
Yusef Komunyakaa 'I've loved Stanley's poems since I first encountered a poem of his in Poetry magazine in John Berrymanâs office when I was nineteen.'
W. S. Merwin
'Unthinkable questions, but when he formulates them they take on the quiet urgency of common daylight.'
John Ashbery

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No Tear is Commonplace Stanley Moss Categories: 21st Century, American Imprint: Carcanet Poetry Publisher: Carcanet Press Available as: Paperback (80 pages) (Pub. Aug 2013) 9781847772503 Out of Stock Description Excerpt Author Contents Reviews Old Fool, I have no desire for the afterlife. I want to stay here with You, to hang around with Your trees, Your animals and my wife. from ‘Why’ The poems collected in No Tear is Commonplace stage a passionate, curious, and often combative relationship with the world and the forces that shape human life and death. Stanley Moss’s range is wide: his poetry recalls the ‘Adirondack wilderness’ of childhood summers, imagines a young Christ learning carpentry, reflects on the tragedies of twentieth-century Europe. What shines through is the poet’s commitment to the fullness of human experience in the here-and-now. *Sunrise – Morning* Paper Swallow Nightingale Tell Me Pretty Maiden No Tear is Commonplace Why What Parable of the Porcupine Capriccio History Sand To a Stranger Bright Day That Morning *12 Noon* Chorus The Man Tree The American Dream Revenge Comedy Letter to a Fish The Fish Answers December 8 Please Drinking Song Smiles Granite Alexander Fu Musing / China Song Elegy for the Poet Reetika Vazirani and her Child On William Blake’s Drawing, ‘The Ghost of a Flea’ A Glance at Turner Requiem Dogs Munich 2010 For Georgie *Sunset – Night* Poem Anatomy Lessons February Listening to Water And there are African Links/Licks in Every Language Letter to Dannie Abse The Hudson River Down River The Grammarian Affluent Reader Space Poem Onlyness Eye Backstage For Uncle Lem Signifier Silent Poem The Carpenter Squeezing the Lemon Pollen Psalm Index of Titles and First Lines Stanley Moss was born in Woodhaven, New York. He was educated at Trinity College and Yale University, and he served in the US Navy during World War II. After the war he worked at Botteghe Oscure and taught English in Rome and Barcelona. His first book of poems, The Wrong Angel ... read more 'Unthinkable questions [...], but when he formulates them they take on the quiet urgency of common daylight.' John Ashbery 'It is time to celebrate the singular beauty and power of Stanley Mossâs poetryâ¦ The damp genius of mortality presides.' Stanley Kunitz 'Again and again, coming upon a poem of Stanley Mossâs, I have had the feeling of being taken by surprise. Not simply by the eloquence or the direct authenticity of the language, for I had come to expect those in his poems. The surprise arose from the nature of his poetry itself, and from the mystery that his poems confront and embody, which makes them both intense and memorable.' W.S. Merwin Praise for Stanley Moss 'Magisterial... God Breaketh Not All Men's Hearts Alike is magnificent. I've read it several times with greater and greater pleasure. Its verbal generosity and bravura, its humanity, the quality and quantity of information which it integrates into poetry of the highest order make it a continuing delight.' Marilyn Hacker ''Death is a many-colored harlequin', asserts Stanley Moss on his 92nd birthday. Undaunted, outrageously alive, Moss in these poems flaunts more colors than the Grim Reaper ever dreamed of, laughs in his face, rhymes with abandon, makes a joyful noise unto the Lord, and struts with Baudelaire. This is a book to hold onto for dear life.' Rosanna Warren 'Moss is the kind of poet who tries to find words that help us live, that tell us directly how to laugh down folly or take courage.' New York Times reviews US edition of Almost Complete Poems 'This is a book made of experience and high intellect. ... these poems curse and sing about the blessings and tragedies of personal life ... an important, gutsy collection.' Yusef Komunyakaa 'I've loved Stanley's poems since I first encountered a poem of his in Poetry magazine in John Berrymanâs office when I was nineteen.' W. S. Merwin 'Unthinkable questions, but when he formulates them they take on the quiet urgency of common daylight.' John Ashbery	Share this... Quick Links Carcanet Poetry Carcanet Classics Carcanet Fiction Carcanet Film Lives and Letters PN Review Video Carcanet Celebrates 50 Years! The Carcanet Blog Coco Island: Christine Roseeta Walker read more that which appears: Thomas A Clark read more Come Here to This Gate: Rory Waterman read more Near-Life Experience: Rowland Bagnall read more The Silence: Gillian Clarke read more Baby Schema: Isabel Galleymore read more
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