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ISBN: 978 1 847771 93 3
Categories: 21st Century, American, Women
Imprint: Carcanet Poetry
Published: August 2012
216 x 135 x 6 mm
Publisher: Carcanet Press
AWARDED THE FORWARD PRIZE 2012
SHORTLISTED FOR THE T.S. ELIOT PRIZE 2012
P L A C E begins with a poem dated 5 June 2009, located at St Laurent Sur Mer, better known by its code name Omaha Beach, one of the sites of the American landings in Normandy on 6 June 1944. It is the starting point for a book of poems written in the uneasy lull of a world moving towards an unknowable future. Jorie Graham explores the ways in which imagination, intuition and experience help us to navigate a life we will have no choice but to live. How does one think ethically as well as emotionally in such a world? How does one think of one's child - of having brought a child into this world? How does love continue?
As we look back, and are compelled to try to see ahead, P L A C E calls us, in poems of great force and beauty, to inhabit and rejoice in a more responsive and responsible place in the world.
Awards won by Jorie Graham Short-listed, 2012 T S Eliot Prize (P L A C E) Short-listed, 2012 Forward Poetry Prize for Best Collection (P L A C E)
Praise for Jorie Graham 'The poems in Jorie Graham's Sea Change might look unapproachable but they are models of clarity and purity.'
Nicola Smyth, 'Books of the Year', the Independent, 28 December 2008
'One of the finest poets writing today.'
'She is among the most important poets in North American literature today.'
Peyton Brien, University of Toronto, 1995
'Jorie Graham is a poet of staggering intelligence.'
'There is a buoyancy in Graham's poetry, a freshness of vision which is rare in contemporary poetry.'
Roger Caldwell, Times Literary Supplement, 27th June 2003
'After each new book by Graham, I wonder what she will do next. Her courage in remaking her style over the years is exemplary... to read under Graham's powerful impetus is to have one's consciousness, like molten glass, pulled into unforeseen - and sometimes almost unbearable - shapes.'
Helen Vendler, London Review of Books, 23rd January 2003
'...one of our most highly imaginative and innovative poets. Her speculative and sensual poetry echoes an aesthetic and cultural past but is, truly, like nothing we've seen before.'
David St. John, The Los Angeles Times, 1996
'There are erotic poems, elegiac poems, and there are dauntingly difficult, allusive and even impenetrable poems. Throughout there is a powerful, engaging intelligence and an affirming lyric grace.'
Stephen Matterson on The Errancy, in Poetry Ireland Review, vol. 62
'Like all good poets, she illuminates moments, but she is like no one else, neither in her rhythms, nor in her insistence on opening up, scrutinizing, and even reversing our experience of time and space within these moments.'
Stephen Burt, Times Literary Supplement, 17th May 1996
'Graham shows us a future direction in American poetry, and that future is a welcome place.'
The Harvard Review
'A mesmerising American voice; one wants to hear its continuation.'
Helen Vendler, The New Yorker
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