Quote of the Day
British publishing always needs the supplement of such enterprises as Carcanet -- beautifully independent, skilfully managed, and by people with exceptional literary taste. It gives one heart that there are such people and such a press, and that they are too resourceful to succumb to the climate.
Sir Frank Kermode
Subscribe to our mailing list
Finger of a Frenchman
ISBN: 978 1 847770 74 5
Imprint: Carcanet Poetry
Published: April 2011
215 x 135 mm
Publisher: Carcanet Press
Also available in: eBook (EPUB), eBook (Kindle)
Are they brothers?
Friends? Beneath an arch a man in black
offers an apple, stalk down, to one in red.
Black doublet smiles at us.
Red doublet smiles at him.
Look hard and you will see behind their backs
a bird with outstretched wings. A swan?
from ‘To a Gentleman of the King’s Bedchamber’
Finger of a Frenchman explores looking, and writing about looking: looking at surfaces and beyond them, at what is depicted and what is hidden in shadow, at how a transient chemistry of light may be fixed in colour and words.
Kinloch’s poems are portraits of artists and reflections on art through five centuries of the artistic bond between Scotland and France. John Acheson, Master of the Scottish Mint, takes Mary, Queen of Scots’ portrait for the Scottish coinage, Esther Inglis paints the first self-portrait by a Scottish artist; Jean-Jacques Rousseau ticks off his portrait painter, Allan Ramsay, and Eugene Delacroix offers David Wilkie a brace of partridge for tea in Kensington. The Glasgow Boys, the Scottish Colourists and Charles Rennie Mackintosh bring the gallery into the twentieth century, where Kinloch considers the hybrid art of figures such as Ian Hamilton Finlay, Alison Watt and Douglas Gordon in analytical prose-poems.
In the book’s second part, a mini-epic of a seventeenth-century priest’s Grand Tour offers a reflection on the nature of Collection itself, whether of paintings or poems, the composing of fragments into a whole.
Cover painting: Crispin van den Broeck (1524-c. 1590), Two Young Men (detail). Copyright © Fitzwilliam Museum, Cambridge.
Five Portraits of Mary
Mary Stuart’s Dream 13
La Monnaie du Moulin 14
A Coin 16
Fotheringay, 1587 17
Resisting Hell 19
To a Gentleman of the King’s Bedchamber 21
Rousseau on Ramsay 24
Young Blade 25
Sir David Wilkie Administering Tea in Kensington 27
1 The Company 30
2 The Art 31
In the rue Annette 42
A Backward Glance 43
Between the Lines 46
The Pink House, Cassis 49
The Place de L’Institut 50
Eileen in a White Chair 52
Helping with an Enquiry 53
Small Pleasures 55
Only for One 62
Self-Portrait of the Artist as a Barbie Doll 69
finger of a frenchman
Finger of a Frenchman 73
After Words after Art 85
a cabinet of curiosities
Three Gaelic Versions
On the Beach at Bosta 98
The Crib 100
The Hangingshaw 101
Reading at the Kibble Palace, Glasgow 102
Second Poem of the Hip Bone 103
The Mocking Fairy 105
The Organ Bath 107
Sailing to Torcello 108
Edwin Morgan is eating an orange 109
You might also be interested in:
The Carcanet Blog A Natural Hybrid by Karen McCarthy Woolf read more News from Niue with John Gallas read more A Short Note on a Painted Violin by Greg O'Brien read more The Carcanet Blog Halloween Special read more Louise Gluck's 'Faithful and Virtuous Night' on the TS Eliot Prize shortlist! read more A Portrait for America: An Anti-Monumental Monument by David C. Ward read more
We thank the Arts Council England for their support and assistance in this interactive Project.
This website ©2000-2014 Carcanet Press Ltd