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Fast

Jorie Graham

Fast Cover Image
RRP: GBP£ 10.39
Not Yet Available This title is available for academic inspection (paperback only).
eBook (PDF)
ISBN: 978 1 784104 73 3
Categories: 21st Century, American, Women
Imprint: Carcanet Poetry
Published: June 2017
96 pages (print version)
Publisher: Carcanet Press
Also available in: eBook (Kindle), Paperback, eBook (EPUB)
  • Description
  • Author
  • Awards
  • Reviews
  • A 2017 Poetry Book Society Recommendation

    In her first new collection in five years, leading American poet Jorie Graham returns with her most exhilarating, personal, and formally inventive work to date. In Fast Graham’s long, pliant line takes sense as far as it can go, exploring the limits of the human and the dark seductions of the post-human. Conjuring an array of voices and perspectives – from bots to the holy shroud, the ocean floor and a medium transmitting from beyond the grave — these poems give form to the increasingly rapid transformation of our planet and ourselves. As it navigates cyber life; 3d-printed ‘life’; life after death; and biologically, chemically, and electronically modified life, Fast lights up the border of our new condition as individuals and as a species on the brink.
    Jorie Graham was born in New York City in 1950, the daughter of a journalist and a sculptor. She was raised in Rome, Italy and educated in French schools. She studied philosophy at the Sorbonne in Paris before attending New York University as an undergraduate, where she studied filmmaking. She received ... read more
    Awards won by Jorie Graham Commended, 2017 Poetry Book Society Recommendation.
    (Fast)
    Winner, 1996 Pulitzer Prize
    (The Dream of the Unified Field)
    Short-listed, 2012 T S Eliot Prize (P L A C E) Short-listed, 2012 Forward Poetry Prize for Best Collection (P L A C E)
    Praise for Jorie Graham 'We should be grateful to Jorie Graham for her own heroics of perception, even if they show up our ordinary insight. If we can't see, with Graham, "the spots where the birds must eventually land", at least we know now where we should be looking.'
    Gwyneth Lewis, Times Literary Supplement.
    'Graham's best book in at least a decade.'
    Publishers Weekly
     'The poems in Jorie Graham's Sea Change might look unapproachable but they are models of clarity and purity.'
    Nicola Smyth, 'Books of the Year', the Independent, 28 December 2008
    'One of the finest poets writing today.'
    John Ashbery
    'She is among the most important poets in North American literature today.'
    Peyton Brien, University of Toronto, 1995
    'Jorie Graham is a poet of staggering intelligence.'
    James Tate
     'There is a buoyancy in Graham's poetry, a freshness of vision which is rare in contemporary poetry.'
    Roger Caldwell, Times Literary Supplement, 27th June 2003
     'After each new book by Graham, I wonder what she will do next. Her courage in remaking her style over the years is exemplary... to read under Graham's powerful impetus is to have one's consciousness, like molten glass, pulled into unforeseen - and sometimes almost unbearable - shapes.'
    Helen Vendler, London Review of Books, 23rd January 2003
      '...one of our most highly imaginative and innovative poets. Her speculative and sensual poetry echoes an aesthetic and cultural past but is, truly, like nothing we've seen before.'
    David St. John, The Los Angeles Times, 1996
     'There are erotic poems, elegiac poems, and there are dauntingly difficult, allusive and even impenetrable poems. Throughout there is a powerful, engaging intelligence and an affirming lyric grace.'
    Stephen Matterson on The Errancy, in Poetry Ireland Review, vol. 62
     'Like all good poets, she illuminates moments, but she is like no one else, neither in her rhythms, nor in her insistence on opening up, scrutinizing, and even reversing our experience of time and space within these moments.'
    Stephen Burt, Times Literary Supplement, 17th May 1996
     'Graham shows us a future direction in American poetry, and that future is a welcome place.'
    The Harvard Review
     'A mesmerising American voice; one wants to hear its continuation.'
    Helen Vendler, The New Yorker
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