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Smoothie

Claudine Toutoungi

Smoothie Cover
RRP: GBP 7.99
New Release Available This title is available for academic inspection (paperback only).
eBook (EPUB)
ISBN: 978 1 784104 13 9
Categories: 21st Century, British, First Collections, Women
Imprint: Carcanet Poetry
Published: November 2017
80 pages (print version)
Publisher: Carcanet Press
Also available in: Paperback, eBook (Kindle), eBook (PDF)
Digital access available through Exact Editions
  • Description
  • Author
  • Reviews
  • Smoothie is Claudine Toutoungi’s debut collection of poems. It takes a tender, exuberant and deliciously dark look at our desire to be heard, whatever the cost; a desire that can be treacherous, comical and sometimes – often enough to fend off despair – fulfilled. Smoothie plots the wayward wanderings of a beguiling cast of misfits – hotel eavesdroppers, city interlopers, lone wolves, phantom bird-watchers, disaffected language robots and triumphant piano-swallowers – as they try to express themselves. The poems are candid without being confessional: the poet’s ‘I’ encompasses the reader. Language’s smooth surface bubbles up as Toutoungi’s characters reveal their peculiarly twenty-first-century disorientations, riffing off loneliness, authenticity and heartbreak as they go.
    Claudine Toutoungi grew up in Warwickshire and studied English and French at Trinity College, Oxford University. After a Master’s at Goldsmiths, she trained as an actor at LAMDA and worked as a BBC Radio Drama producer and English teacher. As a dramatist, her plays Bit Part and Slipping have been produced ... read more
    'Reading Toutoungi's collection feels, in more ways than one, like indulging in a long, cool drink, only to be occasionally surprised by its intriguing yet refreshing aftertaste.'
    Mary Jean Chan, The Poetry Review

     'It is rare that a first collection of poems bounces into the mind like a gifted child, difficult, effervescent, wildly inventive and not to be silenced. When it happens, woe betide the over cautious critic who fails to register both excitement and eager anticipation of more to come. Simon Armitage'€™s first book (Zoom) burst in on me like that, as did Selima Hill'€™s (Saying Hello at the Station). Now, I am delighted to say, I have been ambushed by excellence again.'
    Peter Pegnall, Ploughshares


    'One way of judging a book is by whether it stays with you after you'€™ve read it. This is a book that does. Perhaps that'€™s because it'€™s peculiarly vivid. Perhaps it'€™s because it has genuine wit, or because of its lightness of touch, or its sophistication or inventiveness, or the rigour of the logic that holds the poems together. But actually I think it'€™s because it also has a kind of unafraid honesty, a quality completely unrelated to the skill of writing, but so crucial to the best poetry.'
    Mark Waldron
    Praise for Claudine Toutoungi
    'Reading Toutoungi's collection feels, in more ways than one, like indulging in a long, cool drink, only to be occasionally surprised by its intriguing yet refreshing aftertaste.'
    Mary Jean Chan, The Poetry Review

     'It is rare that a first collection of poems bounces into the mind like a gifted child, difficult, effervescent, wildly inventive and not to be silenced. When it happens, woe betide the over cautious critic who fails to register both excitement and eager anticipation of more to come. Simon Armitage'€™s first book (Zoom) burst in on me like that, as did Selima Hill'€™s (Saying Hello at the Station). Now, I am delighted to say, I have been ambushed by excellence again.'
    Peter Pegnall, Ploughshares


    'One way of judging a book is by whether it stays with you after you'€™ve read it. This is a book that does. Perhaps that'€™s because it'€™s peculiarly vivid. Perhaps it'€™s because it has genuine wit, or because of its lightness of touch, or its sophistication or inventiveness, or the rigour of the logic that holds the poems together. But actually I think it'€™s because it also has a kind of unafraid honesty, a quality completely unrelated to the skill of writing, but so crucial to the best poetry.'
    Mark Waldron
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