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This title is available for academic inspection (paperback only).
ISBN: 978 1 784104 08 5
Categories: 21st Century, British
Imprint: Carcanet Poetry
Published: September 2017
216 x 135 x 7 mm
Publisher: Carcanet Press
Also available in: eBook (EPUB), eBook (Kindle), eBook (PDF)
Sarajevo Roses is Rory Waterman’s second collection of poems. From the start we are in the company of a poet on the move . On sleeper trains, in cars and on foot, Waterman takes us into Mediterranean Europe, to Palma’s Bellver Castle, to Venice, to Krujë, to the Italian ghost-town Craco, and to St Peter’s Basilica in Vatican City, where ‘selfie-sticks dance before us at the altar’. Sarajevo’s ‘neatened muddle of terracotta and concrete’ is twinned with the ‘church spires and rain-bright roofs’ of the poet’s former hometown, Lincoln.
The Sarajevo rose of the book’s title – a mortar crater filled with red resin, in remembrance – is less an overarching symbol here than one example of the past inscribed upon the present – culturally in our architecture, individually on our bodies – and of the instinct to preserve wounds as a mark of respect, or warning. Surrounded by the war-shaped, memorial landscapes of Europe, the poet is faced by those smaller wars and memorials one carries within, marks left by lovers, friends, relations, and past selves.
Praise for Rory Waterman 'Waterman is at once restrained and assured. He has a fine eye for a poem's architecture, playing with symmetry, taking pleasure in the shape of the page, and he demonstrates a remarkably good ear.'
John Greening 'By just picking his words with an almost scientific exactitude he makes a poem that is meditative and unforced.'
The Irish Examiner
'Rory Waterman writes poems of the kind thereâll always be a need for â poems that require skill to make but donât insist on it, that combine keen-eyed observation and immediately graspable shades of feeling in a memorable way. Watermanâs is a very appealing voice, laconic, unillusioned and vulnerable. His world is a recognisable and convincing one, his rueful, sometimes harsh sincerity is palpable, and he deserves to be read by anyone to whom these things still matter.'
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