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The Tragic Death of Eleanor Marx

Tara Bergin

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Paperback
ISBN: 978 1 784103 80 4
Categories: 21st Century, Irish, Women
Imprint: Carcanet Poetry
Published: July 2017
216 x 135 x 8 mm
88 pages
Publisher: Carcanet Press
Also available in: eBook (Kindle), eBook (EPUB), eBook (PDF)
  • Description
  • Author
  • Awards
  • Reviews
  • A 2017 Poetry Book Society Recommendation

    Following her 2013 debut This is Yarrow (winner of the Seamus Heaney Prize and the Shine / Strong Award), Tara Bergin returns with her second collection, The Tragic Death of Eleanor Marx. The poems draw on folksong, fairytale and theatrical monologue as Bergin explores the alluring and sometimes tragic consequences of translation. When she committed suicide in 1898, Eleanor Marx (daughter of Karl Marx, pioneering sociologist, and translator of Flaubert’s Madame Bovary) imitated Flaubert’s heroine, Emma. Both women, in their own ways, died passionate deaths, and Bergin’s poems are concerned with intense love, intense grief. With a sing-song rhythm and dark humour, they play off the natural theatricality of great lovers, great writers and great readers who, like the fancy-dressed children in ‘Mask’, are both ‘themselves and strangers’. ‘That’s all they wanted.’


    Tara Bergin was born and grew up in Dublin. She moved to England in 2002 and currently lives in Yorkshire. In 2012 she completed her PhD research at Newcastle University on Ted Hughes’s translations of János Pilinszky. She won the Seamus Heaney First Collection Prize 2014 for This Is Yarrow, ... read more
    Awards won by Tara Bergin Commended, 2017 Poetry Book Society Recommendation  (The Tragic Death of Eleanor Marx) Winner, 2014 Shine/Strong Poetry Award Winner, 2014 Seamus Heaney Centre for Poetry Prize for First Full Collection Short-listed, 2014 Irish Times Poetry Now Award
    Praise for Tara Bergin 'Bergin succeeds in creating a clear voice and a dramatic situation. This is Yarrow is primarily a book of monologues, establishing voices whose skewed attitudes invite an engaged critical response from the reader. The monologues are sometimes reminiscent of Paul Durcan and at other times Sylvia Plath and they can be very cutting and funny at the expense of their speakers'
    John McAuliffe, Irish Times
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