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The Tragic Death of Eleanor Marx
RRP: GBP£ 9.99
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Price: GBP£ 8.99
New Release Available
This title is available for academic inspection (paperback only).
ISBN: 978 1 784103 80 4
Categories: 21st Century, Irish, Women
Imprint: Carcanet Poetry
Published: July 2017
216 x 135 x 8 mm
Publisher: Carcanet Press
Also available in: eBook (Kindle), eBook (EPUB), eBook (PDF)
Digital access available through Exact Editions
A 2017 Poetry Book Society Recommendation
Shortlisted for The Forward Prize for Best Collection 2017
Following her 2013 debut This is Yarrow (winner of the Seamus Heaney Prize and the Shine / Strong Award), Tara Bergin returns with her second collection, The Tragic Death of Eleanor Marx. The poems draw on folksong, fairytale and theatrical monologue as Bergin explores the alluring and sometimes tragic consequences of translation. When she committed suicide in 1898, Eleanor Marx (daughter of Karl Marx, pioneering sociologist, and translator of Flaubert’s Madame Bovary) imitated Flaubert’s heroine, Emma. Both women, in their own ways, died passionate deaths, and Bergin’s poems are concerned with intense love, intense grief. With a sing-song rhythm and dark humour, they play off the natural theatricality of great lovers, great writers and great readers who, like the fancy-dressed children in ‘Mask’, are both ‘themselves and strangers’. ‘That’s all they wanted.’
Awards won by Tara Bergin Short-listed, 2017 The Forward Prize for Best Collection (The Tragic Death of Eleanor Marx) Commended, 2017 Poetry Book Society Recommendation (The Tragic Death of Eleanor Marx) Winner, 2014 Shine/Strong Poetry Award Winner, 2014 Seamus Heaney Centre for Poetry Prize for First Full Collection Short-listed, 2014 Irish Times Poetry Now Award
'an exhilarating read, daring, original and very funny'
John McAuliffe, The Irish Times
Praise for Tara Bergin 'Bergin succeeds in creating a clear voice and a dramatic situation. This is Yarrow is primarily a book of monologues, establishing voices whose skewed attitudes invite an engaged critical response from the reader. The monologues are sometimes reminiscent of Paul Durcan and at other times Sylvia Plath and they can be very cutting and funny at the expense of their speakers'
John McAuliffe, Irish Times
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