Carcanet Press - Real Stories

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In California, where Gareth Reeves lived from 1970 - 1975, most of the poetry he wrote was set in England; since his return, his poems have tended to look back at those years in America. But the distances that provoked most of the writing in this collection are not solely geographical; the poems also explore the landscape of memory.

Gareth Reeves studied at the University of Oxford and at Stanford University, where he held a Wallace Stegner Writing Fellowship. Until recently he was Reader in English at Durham University, where he ran an MA creative writing course in poetry. Carcanet Press have published four collections of his poetry, Real Stories ... read more

'...his images, seen through the lens of memory, are sharp and distinct... Perhaps it is when dealing with individuals that Reeves's wry insight shows to best advantage; those, and the complications and inadequacies of love. A friend, having borrowed the book, remarked: "Usually, I can't take more than two or three poems at a time; but I kept on reading this to find out what happens next!" Which seems to sum up these compulsive, memorable, well-crafted poems.'
David Holliday, Outposts 'Gareth Reeves's Real Stories is his first book of verse, and a very good one... Nothing is smooth or bland or hinted at. Translations from Horace, American landscape, even the lyrical harking back to Tennyson...; he handles them all well.'
Gavin Ewart, British Book News '...he writes a quiet undemonstrative poetry but that is not so say he lacks scope or ambition. He says somewhere that "honesty is difficult / Devious, silent". The poems are usually short but carefully constructed around perceptions of loneliness, full of sharp but discreet observation that mounts like evidence.'
George Szirtes, Critical Quarterly '...distinguished by economy, quiet wit and resolute affection... Real Stories is enlivened by a central section of poems set in California, an inspired location - imagine Joan Didion, say, in Durham. The strangeness of both landscape and people is wryly observed... This marriage of down-to-earth observation with off-beat material works well.'
Charles Boyle, London Magazine Praise for Gareth Reeves 'It isn't easy for a poet to keep faith with Shostakovich, for whom words solved nothing, whose resort was music and, beyond that, self-defeatingly and only in imagination, silence. Reeves does just that.'
Gillian Allnutt 'A compelling psychodrama about the tangle of self-justification, guilt and defiance that has turned Shostakovich ... into a paradigm of the conflict between artistic integrity and political compromise.... Shostakovichâs inner life was like âan incessantly running motor, an ever-open woundâ. It is this ârunning motorâ to which Reeves listens so carefully in these poems, matching Shostakovichâs expedient avoidance of too clear an equivalence between meaning and expression with language that plays similar equivocal tricks.... But Reeves sees, beyond the irony in Shostakovichâs soul, a man haunted by his past and its effect on his art: âYears ago I listened to the noise of time. / It took revenge. Now I want /noise out of timeâ. The rest is silence.'
Andrew McCulloch, TLS June 6 2014 '"The Cockroach Sang in the Plane-tree" surprisingly bypasses the personal dimension altogether. Even more startling is the liturgical momentum of its lines, a series of bleak declarations about nuclear annihilation whose potency remains undiminished in a post-cold war context."
Keith Silver, London Magazine 'Among the most remarkable [poems] are those which pay tribute to his father and the latter's struggle against his growing blindness... The honesty of these poems, and the way they cope with the complexity and ambiguity of emotion which perhaps must always inform the relationship between son and father are truly admirable.'
John Heath-Stubbs, Acumen '...in the sequence entitled "Going Blind", in which he recalls his father James Reeves... he constructs nothing less than a living memorial in verse... By making his difficult poetic inheritance part of the subject of his verse, Gareth Reeves, paradoxically, has written his most original work to date.'
Robert Nye, The Times

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Real Stories Gareth Reeves Imprint: Carcanet Poetry Publisher: Carcanet Press Available as: Description Author Reviews In California, where Gareth Reeves lived from 1970 - 1975, most of the poetry he wrote was set in England; since his return, his poems have tended to look back at those years in America. But the distances that provoked most of the writing in this collection are not solely geographical; the poems also explore the landscape of memory. Gareth Reeves studied at the University of Oxford and at Stanford University, where he held a Wallace Stegner Writing Fellowship. Until recently he was Reader in English at Durham University, where he ran an MA creative writing course in poetry. Carcanet Press have published four collections of his poetry, Real Stories ... read more '...his images, seen through the lens of memory, are sharp and distinct... Perhaps it is when dealing with individuals that Reeves's wry insight shows to best advantage; those, and the complications and inadequacies of love. A friend, having borrowed the book, remarked: "Usually, I can't take more than two or three poems at a time; but I kept on reading this to find out what happens next!" Which seems to sum up these compulsive, memorable, well-crafted poems.' David Holliday, Outposts 'Gareth Reeves's Real Stories is his first book of verse, and a very good one... Nothing is smooth or bland or hinted at. Translations from Horace, American landscape, even the lyrical harking back to Tennyson...; he handles them all well.' Gavin Ewart, British Book News '...he writes a quiet undemonstrative poetry but that is not so say he lacks scope or ambition. He says somewhere that "honesty is difficult / Devious, silent". The poems are usually short but carefully constructed around perceptions of loneliness, full of sharp but discreet observation that mounts like evidence.' George Szirtes, Critical Quarterly '...distinguished by economy, quiet wit and resolute affection... Real Stories is enlivened by a central section of poems set in California, an inspired location - imagine Joan Didion, say, in Durham. The strangeness of both landscape and people is wryly observed... This marriage of down-to-earth observation with off-beat material works well.' Charles Boyle, London Magazine Praise for Gareth Reeves 'It isn't easy for a poet to keep faith with Shostakovich, for whom words solved nothing, whose resort was music and, beyond that, self-defeatingly and only in imagination, silence. Reeves does just that.' Gillian Allnutt 'A compelling psychodrama about the tangle of self-justification, guilt and defiance that has turned Shostakovich ... into a paradigm of the conflict between artistic integrity and political compromise.... Shostakovichâs inner life was like âan incessantly running motor, an ever-open woundâ. It is this ârunning motorâ to which Reeves listens so carefully in these poems, matching Shostakovichâs expedient avoidance of too clear an equivalence between meaning and expression with language that plays similar equivocal tricks.... But Reeves sees, beyond the irony in Shostakovichâs soul, a man haunted by his past and its effect on his art: âYears ago I listened to the noise of time. / It took revenge. Now I want /noise out of timeâ. The rest is silence.' Andrew McCulloch, TLS June 6 2014 '"The Cockroach Sang in the Plane-tree" surprisingly bypasses the personal dimension altogether. Even more startling is the liturgical momentum of its lines, a series of bleak declarations about nuclear annihilation whose potency remains undiminished in a post-cold war context." Keith Silver, London Magazine 'Among the most remarkable [poems] are those which pay tribute to his father and the latter's struggle against his growing blindness... The honesty of these poems, and the way they cope with the complexity and ambiguity of emotion which perhaps must always inform the relationship between son and father are truly admirable.' John Heath-Stubbs, Acumen '...in the sequence entitled "Going Blind", in which he recalls his father James Reeves... he constructs nothing less than a living memorial in verse... By making his difficult poetic inheritance part of the subject of his verse, Gareth Reeves, paradoxically, has written his most original work to date.' Robert Nye, The Times	Share this... Quick Links Carcanet Poetry Carcanet Classics Carcanet Fiction Carcanet Film Lives and Letters PN Review Video Carcanet Celebrates 50 Years! The Carcanet Blog Coco Island: Christine Roseeta Walker read more that which appears: Thomas A Clark read more Come Here to This Gate: Rory Waterman read more Near-Life Experience: Rowland Bagnall read more The Silence: Gillian Clarke read more Baby Schema: Isabel Galleymore read more
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