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Moya Cannon

Books by this author: Hands Carrying the Songs
  • About
  • Reviews
  • Moya Cannon was born in Dunfanaghy, County Donegal in 1956 and now lives in Galway. She studied history and politics at University College, Dublin and international relations at Corpus Christi College, Cambridge. Her first collection, Oar, won the inaugural Brendan Behan Award and, in 2001, she was the recipient of the Laurence O Shaughnessy Award (University of St. Thomas, Minnesota). A number of her poems have been set to music by Jane O Leary, Philip Martin and Ellen Cranitch, and she has worked with traditional Irish musicians, amongst them Kathleen Loughnane and Maighread and Tríona Ní Dhomhnaill, both in the context of performance and of translating Gaelic songs. Moya Cannon has edited Poetry Ireland Review and, in 2004, was elected to Aosdána, the Irish affiliation of creative artists. In 2011 she was the holder of the Heimbold Chair of Irish Studies at Villanova University, PA.
    Praise for Moya Cannon 'Its sterling qualities are manifest and manifold: a deep interiority and soaring lyricism, and an ability to produce what Tim Robinson has termed 'geophany', a showing forth of the earth.'

                                                                Nuala Ni Dhomhnaill
    'The intensely lyrical musings on life, landscape and love stir the heart, disturb the settled thought and, more in this collection than in the earlier, soothe the soul. Like her fellow northerner, Seamus Heaney, Cannon digs deep with the pen. And whilst the theme of sea voyaging and water inform the titles of both her books, that which the earth throws up is of equal fascination.'
     
                                                     The Cork Examiner
    'Her newly published second collection, The Parchment Boat contains the subtly evoked passion and meditative restraint that was distinctive in Oar, her first collection.'

                                                     The Irish Times
    'All the journeyings envisaged and chronicled by Moya Cannon are to be sought in a remarkable symbiosis of humanity and the 'natural world', a perceived and felt unity of creation which goes light years beyond any mere empathy of imagining. I should not be surprised if a few of Moya Cannon's phrases become, in time, part of our 'poetry-talking': 'the faulted hills', 'the room-sized fields', 'the clay part of the heart.'

                                                   Poetry Ireland Review
    'Complicated things happen simply in these poems. The Burren's dove-saints hatch out under the eyes of raptors; old wooden sailboats of Connemara take root in salt water. Moya Cannon's style is as discreet as the advance of spring over her favoured landscapes. It is good to have a collection of her work to hand, for deep re-reading.'

                                                            Tim Robinson
    'A Book of Revelations'. read more
    'A Book of Revelations'. read more
    'A Book of Revelations'. read more
    Profoundly human verse with a light touch Moya Cannon’s Carrying the Songs , made up of new and selected poems, is an important milestone in this well-respected poet’s development, since its first 52 pages in fact comprise her third collection. read more
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